*** Richard Wright *** Eudora Welty *** Margaret Walker *** Tennessee Williams ***
An Enrichment Institute
Sponsored by the Mississippi Humanities Council
Friday, February 13, 2009
Haiku Friday!
#97
In the setting sun, Each tree bud is clinging fast To drying raindrops.
Haiku: This Other World by Richard Wright (Arcade, 1998)
Oh, I do CMC! Did you make the papers and dye them your self? I would love to hear your approach to the title, also! Does it represent rain, a storm approaching or did you place the piece out in the rain for effect?
I find the thought processes of artists whether they be explaining a painting or discussing a short story fascinating. :)
Hi Maggie, Sometimes I do prep my own papers, but I use anything available that will work. In the piece, I think I started out with the black and white small linocut as a central interest and just put papers over and under until I liked the composition. I don't know now what it hit me to title it "the rain came". It's been some time now and titles just come to me out of the blue sometimes. I usually work without too much of a plan until something begins to gel.
You have a free flow approach that results in eye pleasing results. One of my artist friends in N'awlins just slaps some lines of paint on canvas or shaped clay on the floor then steps back. He studies the forms for a couple of days then decides what the piece will become. He finds his paintings evolving mostly into angels and his clay, ladders. Even in serendipity his end results remain the same. :D
Thanks, Maggie. There are probably as many approaches to making art work as there are artists. None are really better or worse, in my estimation. We all seem to just have a little different slant in our "eyes" just like other artists like writers, and musicians/composers.
Maryemma Graham, Ph.D.,
professor at University of Kansas, is a leading scholar on Margaret Walker Alexander. Her current project is the Cambridge History of the African American Novel.
Colby Kullman, Ph.D.,
professor at University of Mississippi, is editor of Theatre Companies of the World and co-editor of Studies in American Dreams, 1945 to present. He has for years led Tennessee Williams tours.
Noel Polk, Ph. D.,
professor of English at Mississippi State University and editor of The Southern Quarterly, specializes in Mississippi writers. His most recent book is Faulkner and Welty and the Southern Literary Tradition.
Peggy Prenshaw, Ph. D., Humanities Scholar in Residence at Millsaps College has written a number of books on Eudora Welty, Southern cultural history and women writers. She formally held the Eudora Welty Chair of Literature.
Jerry Ward, Ph.D.,
distinguished scholar and professor of English and African World Studies at Dillard University, is a recognized authority on Richard Wright, selected to write the introduction to the latest re-issue of Black Boy.
Alferdteen B. Harrison, Ph. D.
Director of the Margaret Walker Alexander Research Institute at Jackson State University and author of Black Exodus: The Great Migration from the American South.
5 comments:
I'm flattered you liked my mixed media collage so much.
Oh, I do CMC! Did you make the papers and dye them your self? I would love to hear your approach to the title, also! Does it represent rain, a storm approaching or did you place the piece out in the rain for effect?
I find the thought processes of artists whether they be explaining a painting or discussing a short story fascinating. :)
Thanks for stopping by, CMC.
Hi Maggie,
Sometimes I do prep my own papers, but I use anything available that will work. In the piece, I think I started out with the black and white small linocut as a central interest and just put papers over and under until I liked the composition. I don't know now what it hit me to title it "the rain came". It's been some time now and titles just come to me out of the blue sometimes. I usually work without too much of a plan until something begins to gel.
Thanks so much for sharing CMC!
You have a free flow approach that results in eye pleasing results. One of my artist friends in N'awlins just slaps some lines of paint on canvas or shaped clay on the floor then steps back. He studies the forms for a couple of days then decides what the piece will become. He finds his paintings evolving mostly into angels and his clay, ladders. Even in serendipity his end results remain the same. :D
Your artist eyes are enviable! :D
Thanks, Maggie. There are probably as many approaches to making art work as there are artists. None are really better or worse, in my estimation. We all seem to just have a little different slant in our "eyes" just like other artists like writers, and musicians/composers.
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